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1. #MOCHA HITFILM DOWNLOAD FULL SOFTWARE#
2. #MOCHA HITFILM DOWNLOAD FULL PROFESSIONAL#
3. #MOCHA HITFILM DOWNLOAD FULL FREE#

This spline can be clumsy and random, all it is doing is tracking the movement of the hilt. Select the X-Spline tool, and we will draw a spline around the hilt of the lightsaber. So, we will start our track from the end, and work backward. Now, the portion of this shot that needs masked is at the end, and only lasts as long as the blade effects will be visible.

If you send the clip from the timeline to mocha, though, as we did, then the entire source clip still opens in mocha, but the In and Out points will already be set for you, based on the portion of the source clip that is used on the timeline. When you use this option, you can manually set the in and out points, if you don’t want the entire source clip to be used in mocha.

If we jump back to Hitfilm, you are probably familiar with the option to create a new Solve using Mocha HitFilm in the media panel. opening a clip into mocha from the HitFilm timeline. In this particular shot the entire clip is on the timeline, but this is an important difference between opening mocha from the HitFilm media panel, vs. Once the clip opens in mocha, the In and Out points will be set to the same in and out points that are used on the HitFilm timeline. I’ll click yes, but you won’t get this message if you are opening the clip in mocha for the first time. Now, since I have already done this once, and I have a project that uses this name, I get this message asking if I want to overwrite the project. To send our video clip to mocha, right-click the clip on the timeline, and choose Open With Mocha HitFilm. Let’s delete this layer, and we will rebuild it from scratch. It sits above our blades, effectively hiding the area where they overlap onto the prop. This existing Hilt Mask layer is simply a duplicate of our footage, which uses a mask so only the hilt is visible.

These overlap onto the prop hilt, so we want to create a mask that cuts them off at the edges of the prop, so they look like they are coming from inside. So, in the Finished Shot comp, we have a bunch of points, for positioning the effects, we have our footage, and then we have three particle layers creating the main blades of the lightsword. If you want to follow along, please download the accompanying project file. I’m Axel Wilkinson, for, and we are going to look at how you can quickly rotoscope moving objects in HitFilm 4 Pro, using mocha HitFilm. Since this is a technique that can be directly applied in a huge variety of projects, and which isn’t strictly part of the lightsword creation process, I wanted to separate it out into its own tutorial. of the process involved using a rotoscoped mask, which I created in mocha HitFilm. Hello, and welcome to another HitFilm tutorial.

#MOCHA HITFILM DOWNLOAD FULL PROFESSIONAL#

Finally, if after all the latter, the program still falls short for your needs despite loving how it works, you can go for the professional versions developed by the same company, HitFilm Studio and HitFilm Pro.This tutorial from Axel Wilkinson accompanies our Kylo Ren lightsaber video and takes a look at how mocha HitFilm was used to quickly and easily roto the lightsaber handle for masking in HitFilm. And if that weren't enough, apart from its default functions, it also allows us to download extensions to increase its possibilities.

#MOCHA HITFILM DOWNLOAD FULL SOFTWARE#

Powerful non-linear video editing and animation tools.In other words, for almost anyone who needs to edit video at a domestic level: HitFilm Express. It's a rather simple development by FXhome Limited which the studio presents as ideal for beginners, students, and YouTubers.

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It's not very often that we come across a free program that is as complete as this one, especially when we're talking about video editing and visual effects.